What was the historical context for the shift toward Gothic literature?

What was the historical context for the shift toward Gothic literature?

The Gothic, a literary movement that focused on ruin, decay, death, terror, and chaos, and privileged irrationality and passion over rationality and reason, grew in response to the historical, sociological, psychological, and political contexts of the late eighteenth and early nineteenth centuries.

What is the American Gothic movement?

American Gothic literature, a homegrown genre set in uniquely American settings — the frontier, sometimes even suburbia — explores the darker elements of the nation’s culture and history. Historical sins like slavery, genocide and the destruction of the wilderness are often part and parcel of American Gothic fiction.

What inspired the Gothic movement?

It can be theorized that the Gothic Romance was born in this period as a reaction to the sterility of the Victorian Age: of its strict moral code, of its science and reason, and of its politics. Lord Byron was not only a writer of Romantic literature; he became the model for what is known as the Byronic Hero.

What was the American Gothic period?

American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational, puritanism, guilt, the uncanny (das unheimliche), ab-humans, ghosts, and monsters.

What is the history of Gothic literature?

Gothic fiction began as a sophisticated joke. Horace Walpole first applied the word ‘Gothic’ to a novel in the subtitle – ‘A Gothic Story’ – of The Castle of Otranto, published in 1764. When he used the word it meant something like ‘barbarous’, as well as ‘deriving from the Middle Ages’.

What is the Gothic era of literature?

Gothic literature is a genre that emerged as one of the eeriest forms of Dark Romanticism in the late 1700s, a literary genre that emerged as a part of the larger Romanticism movement. Dark Romanticism is characterized by expressions of terror, gruesome narratives, supernatural elements, and dark, picturesque scenery.

What is the history of Gothic?

What is the theme of American Gothic?

Modernism
American Gothic/Periods

How was the Gothic genre created?

Gothic fiction as a genre was first established with the publication of Horace Walpole’s dark, foreboding The Castle of Otranto in 1764. These are the core elements that separate gothic horror from its cousin, gothic romance.

Where and how did the Gothic tradition begin?

The Gothic literary tradition began in the mid-eighteenth century in Europe and lives on in various forms across the globe through contemporary fiction, poetry, art, music, film, and television.

What defines American Gothic literature?

How did the Gothic tradition begin?

Gothic fiction as a genre was first established with the publication of Horace Walpole’s dark, foreboding The Castle of Otranto in 1764. In the centuries since, gothic fiction has not only flourished, but also branched off into many popular subgenres.

What is the meaning of American Gothic painting?

American Gothic Definition. The term ‘American Gothic’ refers to the painting style associated with the works of Grant Wood, an American artist who lived between 1892-1942. One of Grant Wood’s painting is named ‘American Gothic.’ Therefore, this term is most commonly used to refer to that painting in the collections of the Art Institute of Chicago.

What is the symbolism of American Gothic?

American Gothic Meaning: A Critique of Midwestern Culture. Many interpreted the meaning of American Gothic to be the artist’s snobby judgment on the humble people of Middle America.

What is Grant Wood American Gothic?

American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago. Wood was inspired to paint what is now known as the American Gothic House in Eldon, Iowa, along with “the kind of people I fancied should live in that house.”. It depicts a farmer standing beside his daughter – often…

Who painted American Gothic?

American Gothic. American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago.